Saturday, September 8, 2012

questionnaire with participant Krisztina Dányi (HUN)

When have you been to Budapest - Hungary with your piece and artistic work earlier?
I live in Budapest.

Do you have any preference who do you want to reach with your art and piece?

What kind of piece will you bring to L1danceFest and does this piece mean any differences or similarities to your earlier works?
I’ll bring a song.

What exaclty did you work on with this piece and where did you perform it already?
It’s brand new I’ve never performed it before.

Do you have any hobby beside working as a dancer or creator?
I collect funny sunglasses.

Can you write some details about your artistic life - which direction did you come from and which direction do you go right now? Tell us some important steps from your background!
My ‘artistic life’ doesn’t have any direction actually. I’m interested in interference these days.

How did your summer time go? Did you get any new inspirations?
I met a composer who is really inspiring.

Does it mean any differences to play your pieces in different countries? If so, could you please tell us in what sense?
I have no idea I haven’t done that yet.

Do you work and show your work for getting applause (for the audience) or does the working process mean anything else for you? What kind of feedback are you open for?
I make music because I have to. If someone likes that, it’s a lucky situation.

Do you read critics about your works? What kind of critic do you need?
I’ve read some before, but I don’t do it anymore. I’m pretty critical about my stuff, my sister’s opinion is what matters for me the most.

Do you criticize other’s works? Do you write about it?

Are you open for a round table discussion with the audience after a premier or after your show?
I’m open for anything.

Here you find some words, could you put them in sentences which could be kind of ars poetic of you!
I don’t like performing.

Kriszta's performance takes place in the frame of Frissek Speciál on 23rd September at 5 pm in MU Theatre.

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